Marino at a 2017 exhibition of his work at London’s Gagosian Gallery © Getty Images You want to use the Austin Powers line on them – “Oh, do behave!” – but they don’t. Either one or two trees will have been blown out by a nor’easter – as happened to me last summer – or the crocosmia won’t come back because it didn’t thrive in winter. The only thing that’s certain is that by next spring 20 per cent of your garden will have changed. It’s the antidote to modern life and keeps me from going crazy. © 2023 NYP Holdings, Inc.Unlike my day job – architecture, which tends to be somewhat fixed – there is nothing fixed about gardening. Marino has never been one to follow the flock. The golden livestock were a big hit of “Counterpoint.” But a sheep seems like a contradictory symbol. Commissioned sculptures by the late renowned husband-and-wife team François-Xavier and Claude Lalanne include a whimsical frog fountain and “Grand Moutons de Peter,” a set of bronze sheep. The gardens may draw inspiration from Marino’s own much-admired ones at his Southampton home - the subject of “ The Garden of Peter Marino” (Rizzoli, 2017), a tome showcasing his flair for color and drama with thousands of azaleas, hydrangeas and roses cultivated over two decades. Never one to be confined by four walls, Marino is also redoing the grounds of both the foundation and the neighboring arts center, paying homage to legendary landscape architect Warren Manning, who designed the arboretum in the late 1890s. Marino made the announcement of his Jobs Lane purchase at the opening night reception. Many got a glimpse of what’s to come at “Counterpoint: Selections From the Peter Marino Collection,” held three years ago at SAC. Marino’s provocative sensibilities and the rather traditional village of Southampton might seem an odd pairing, but the foundation has support from local Mayor Jesse Warren, as well as encouragement from a large majority of the residents and nearby cultural institutions.Īnd while one knows to always expect the unexpected with Marino, it’s safe to say visitors will enjoy works by Andy Warhol, Damien Hirst, Richard Prince, Robert Mapplethorpe, as well as Renaissance and baroque bronzes. A Roman marble relief, by Francesco Clemente, from Marino’s collection. Robertson in 1895, is all the buzz among passersby. With extensive construction underway, the historic Victorian Gothic building, designed by R.H. It sat relatively dormant (save for a short stint as retailer One Kings Lane) until Marino came along.ĭelayed by COVID-19 (last year’s gala fund-raiser was scaled way back), the conversion has finally found its footing. For more than a hundred years, the Rogers mansion served as the public library before relocating in 2000. The highly visible spot fits the flamboyant architect. The New York-based architect, who has designed flagships for Chanel, Louis Vuitton and Dior and has built award-winning global residences and hotels, purchased the former Rogers Memorial Library in 2018 for a reported $5.25 million. Housing his extensive collection, and working in tandem with the Southampton Arts Center (SAC) next door, the Peter Marino Art Foundation will offer cultural programming throughout the year. Style standout Peter Marino will open a home for his eponymous foundation on tony Jobs Lane in Southampton this summer. ![]() North Fork frenzy: Home sales spike on the Long Island Sound ![]() Home in one: The top golf estates for sale in the Hamptons Pucker up! The sour is summer’s hot new drink - here’s how to make your own Blade offers Father’s Day packages for high-flying dads
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